Saturday, March 3, 2018

90th Annual Academy Awards Predictions

(Oscars.org)

It’s that wonderful time of the year again! Awards season will come to a close tomorrow night with the 90th annual Academy Awards. With Best Picture still up in the air and plenty of opportunities for Hollywood to address its sexual harassment and diversity problems, we’re in for an exciting ceremony.

Without further ado, here are my predictions in all 24 categories:

(Fox Searchlight)

Best Picture

Call Me By Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

The biggest award of the night is also the most uncertain. Over the five or so years I’ve closely followed the Oscars, Best Picture usually comes down to either a cutthroat battle between two films (Spotlight and The Revenant) or a frontrunner and its potential upset (La La Land and Moonlight, Birdman and Boyhood). This year, five films could potentially take home the gold: Dunkirk, Get Out, Lady Bird, The Shape of Water, and Three Billboards.

Best Picture is the only category that uses what is called a preferential ballot. In short, voters rank five of the nominees in order of preference and films get eliminated until one has over 50% of the vote. This favors films admired across the board and can lead to upsets with love-it-or-hate-it films.

Lady Bird and Dunkirk are the least likely to win of the aforementioned five. The former is unlikely to win any of the other categories its nominated for while the latter has proved difficult for some voters due to its unconventional style (also, it didn’t win any major precursor awards). Get Out doesn’t have the precursor wins behind it either, but it could snag Original Screenplay and then the top honor (Spotlight did this two years ago). It’s the kind of zeitgeisty, topical film that reflects well on the Academy, but many older voters are turned off by it.

That leaves us with The Shape of Water and Three Billboards. The former has a Directors Guild Award, Producers Guild Award, Critics Choice Award, and 13 total nominations. On paper, it is the favorite. Three Billboards got the SAG, BAFTA, and Golden Globe, but it has also received backlash for its messy handling of racial politics. Although it will win Best Actress, Best Supporting Actor, and (maybe) Best Original Screenplay, it missed out on a directing nomination and the controversy surrounding it could very well harm it on the preferential ballot.

It’s a tight race, and while it wouldn’t normally be considered a frontrunner, I can’t shake the feeling that Get Out could still pull it off. Ultimately, I’m going to go with The Shape of Water, but I’ll be on the edge of my seat.

Will Win: The Shape of Water
Could Win: Three Billboards, Get Out

Should Win: The Shape of Water

Should Have Been Nominated: So many other films worthy here, but Wonder Woman, Logan, The Big Sick, War for the Planet of the Apes, and Blade Runner 2049 just to name a few.

(Dailywire.com)

Best Director

Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, The Shape of Water

Whoever wins the Directors Guild Award is almost guaranteed the Oscar so congratulations to Guillemo del Toro. This is a great group of nominees, but Christopher Nolan’s work in Dunkirk was staggering and the director is long overdue (this is somehow only his first nomination in this category). However, the sad truth is that del Toro is unlikely to make a film that will resonate with the Academy the way The Shape of Water did (fantasy isn’t typically their thing). Nolan will get his time in the spotlight one day. If anyone else pulls off a win, expect Best Picture to go in a similar direction.

Will Win: Guillermo del Toro
Could Win: Christopher Nolan

Should Win: Guillermo del Toro

Should Have Been Nominated: Denis Villeneuve (Blade Runner 2049), Luca Guadagnino (Call Me By Your Name)

(Focus Features)

Best Actor in a Leading Role

Timothée Chalamet, Call Me By Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

Gary Oldman has dominated this category from the start. If the actor’s alleged history of abuse catches up with him, Timothée Chalamet will take his place. Unfortunately, I doubt that will be the case.

Will Win: Gary Oldman
Could Win: Timothée Chalamet

Should Win: Timothée Chalamet

Should Have Been Nominated: Hugh Jackman (Logan), Ryan Gosling (Blade Runner 2049), Andy Serkis (War for the Planet of the Apes)

(Fox Searchlight)

Best Actress in a Leading Role

Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

This is a year of boring acting races and there’s no reason to doubt Frances McDormand has this locked down.

Will Win: Frances McDormand
Could Win: Sally Hawkins

Should Win: Sally Hawkins

Should Have Been Nominated: Vicky Krieps (Phantom Thread), Jennifer Lawrence (mother!), Gal Gadot (Wonder Woman)

(Fox Searchlight)

Best Actor in a Supporting Role

Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Rockwell. No lengthy explanation needed.

Will Win: Sam Rockwell
Could Win: Willem Dafoe

Should Win: Willem Dafoe

Should Have Been Nominated: Patrick Stewart (Logan), Bryan Cranston (Lady Flag Flying), Mark Hamill (Star Wars: The Last Jedi), Harrison Ford (Blade Runner 2049)

(Neon)

Best Actress in a Supporting Role

Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

Allison Janney pretty much has this one in the bag, but if Lady Bird is going to pull off a win anywhere, it’s with Laurie Metcalf.

Will Win: Allison Janney
Could Win: Laurie Metcalf

Should Win: Laurie Metcalf

Should Have Been Nominated: Holly Hunter, The Big Sick

(Universal)

Best Original Screenplay

The Big Sick
Get Out
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Ah, things finally get interesting again. This is one of the strongest Original Screenplay lineups I’ve seen. The Big Sick seems like the most unlikely winner considering the film sadly missed out on a Best Picture nomination. Lady Bird and The Shape of Water can’t quite put up a fight against Get Out and Three Billboards. The former took home the Writers Guild Award, but Martin McDonough’s screenplay was ineligible there. It’s a tight call but I think McDonough’s lack of a directing nomination might get him some consolation votes here. I’d say it’s pretty neck-and-neck though.

Will Win: Three Billboards
Could Win: Get Out

Should Win: The Shape of Water

Should Have Been Nominated: Dunkirk, mother!

(Sony Pictures Classics)

Best Adapted Screenplay

Call Me By Your Name
The Disaster Artist
Logan
Molly’s Game
Mudbound

James Ivory’s work on Call Me By Your Name is the clear champion here. That said, can we get a round of applause for Logan? A tremendous film that had an equally tremendous uphill battle due to its superhero origins. Well deserved.

Will Win: Call Me By Your Name
Could Win: Mudbound

Should Win: Call Me By Your Name

Should Have Been Nominated: Blade Runner 2049

(Warner Bros.)

Best Editing

Baby Driver
Dunkirk
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Lee Smith’s work on Dunkirk is nothing short of extraordinary. It’s incredibly complicated, intricate, near flawless work. However, Baby Driver poses a serious challenge. That film has an energetic and rhythmic edit that gives the film so much of its style. I hope voters recognize that they already gave an Oscar to this kind of editing with Whiplash. Dunkirk is the more innovative work here.

Will Win: Dunkirk
Could Win: Baby Driver

Should Win: Dunkirk

Should Have Been Nominated: Call Me By Your Name, Blade Runner 2049

(Warner Bros.)

Best Cinematography

Blade Runner 2049
Darkest Hour
Dunkirk
Mudbound
The Shape of Water

It’s finally time to give Roger Deakins that Oscar after 13 (13!!!) prior nominations. This isn’t going to be a pity win either—Deakins’s work in Blade Runner 2049 is absolutely jaw dropping. If anyone is a threat, it’s Mudbound’s Rachel Morrison. Morrison is outrageously the first woman every nominated in this category. Could this be enough the get her a win? Dunkirk and The Shape of Water could also feasibly pull off upsets.

Will Win: Blade Runner 2049
Could Win: Mudbound

Should Win: Blade Runner 2049

Should Have Been Nominated: War for the Planet of the Apes, Call Me By Your Name

(Warner Bros.)

Best Sound Editing

Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

The blood-curling shriek of enemy planes divebombing soldiers in Dunkirk still gives me chills. Blade Runner also has some great, powerful sound editing that shouldn’t be neglected. The sound awards always seem to go to the film I personally think deserves to win (nobody was predicting Arrival to win last year, but…), so I’m betting on Dunkirk and its slew of other nominations.

Will Win: Dunkirk
Could Win: Blade Runner 2049

Should Win: Dunkirk

(TriStar Pictures)

Best Sound Mixing

Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

Dunkirk again here, but Baby Driver’s blend of intense action, witty dialogue, and catchy tunes will put up a fight.

Will Win: Dunkirk
Could Win: Baby Driver

Should Win: Dunkirk

Should Have Been Nominated: mother!

(20th Century Fox)

Best Visual Effects

Blade Runner 2049
Guardians of the Galaxy Vol. 2
Kong: Skull Island
Star Wars: The Last Jedi
War for the Planet of the Apes

This category has unfortunately turned into “Best CGI” instead of Best Visual Effects (hence the absence of Dunkirk and The Shape of Water and the random appearance of Kong: Skull Island and Guardians of the Galaxy). War for the Planet of the Apes’ extraordinary motion capture work needs to be recognized with this trilogy capper. Blade Runner 2049’s third act surprise could cause an upset (plus the film won at the BAFTAs), but Rogue One lost last year with a similar accomplishment.

Will Win: War for the Planet of the Apes
Could Win: Blade Runner 2049

Should Win: War for the Planet of the Apes

Should Have Been Nominated: Dunkirk, The Shape of Water

(Fox Searchlight)

Best Production Design

Beauty and the Beast
Blade Runner 2049
Darkest Hour
Dunkirk
The Shape of Water

The Shape of Water somehow throws every shade of green imaginable into fantastic, hyper-realistic sets. It’s magical work. I always complain that science fiction films get overlooked here in favor of period pieces (e.g., Rogue One, Interstellar), so I would be okay to see Blade Runner pull this one off.

Will Win: The Shape of Water
Could Win: Blade Runner 2049

Should Win: The Shape of Water

Should Have Been Nominated: Star Wars: The Last Jedi, mother!

(Focus Features)

Best Costume Design

Beauty and the Beast
Darkest Hour
Phantom Thread
The Shape of Water
Victoria & Abdul

Phantom Thread has some seriously impressive fashion on display, plus the costumes are instrumental to the film’s story.

Will Win: Phantom Thread
Could Win: The Shape of Water

Should Win: Phantom Thread

Should Have Been Nominated: Star Wars: The Last Jedi

(Focus Features)

Best Makeup and Hairstyling

Darkest Hour
Victoria & Abdul
Wonder

The makeup team on Darkest Hour completely transformed Gary Oldman into Winston Churchill—it’s the obvious choice. But why did The Shape of Water get snubbed here with its almost entirely practical Amphibian Man? My assumption is that voters wrongly considered it to be Costume Design. Oh well.

Will Win: Darkest Hour
Could Win: Wonder

Should Win: Darkest Hour

Should Have Been Nominated: The Shape of Water, Logan, Guardians of the Galaxy Vol. 2

(Fox Searchlight)

Best Original Score

Dunkirk
Phantom Thread
The Shape of Water
Star Wars: The Last Jedi
Three Billboards Outside Ebbing, Missouri

A great lineup of film scores. Alexandre Desplat’s whimsical melodies in The Shape of Water should win without any problem, but Johnny Greenwood’s work in Phantom Thread has gotten plenty of praise. However, Hans Zimmer’s experimental, tension-wrought compositions for Dunkirk deserves it the most in my book.

Will Win: The Shape of Water
Could Win: Phantom Thread

Should Win: Dunkirk

Should Have Been Nominated: Wonder Woman, War for the Planet of the Apes

(Pixar)

Best Original Song

Mudbound, “Mighty River”
Call Me By Your Name, “Mystery of Love”
Coco, “Remember Me”
Marshall, “Stand Up for Something”
The Greatest Showman, “This Is Me”

I hate this category. I hate the live performances. I hate the pop tunes. Ugh.

Will Win: “Remember Me”
Could Win: “This Is Me”

Should Win: “Mystery of Love”

Should Have Been Nominated: Detroit, “It Ain’t Fair”


Best Animated Feature Film

The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent

Pixar always wins here. But on a far more important note, the fact that The Boss Baby got nominated while The LEGO Batman Movie was snubbed is a crime against humanity. Shame on you, Academy.

Will Win: Coco
Could Win: The Breadwinner

Should Win: The Breadwinner

Should Have Been Nominated: The LEGO Batman Movie


Best Foreign Language Film

A Fantastic Woman
The Insult
Loveless
On Body and Soul
The Square

Will Win: A Fantastic Woman
Could Win: The Insult


Best Animated Short Film

Dear Basketball
Garden Party
Lou
Negative Space
Revolting Rhymes

Will Win: Dear Basketball
Could Win: Garden Party


Best Documentary Feature

Abacus: Small Enough to Jail
Faces Places
Icarus
Last Man in Aleppo
Strong Island

Will Win: Faces Places
Could Win: Icarus, Last Man in Aleppo


Best Documentary Short

Edith+Eddie
Heaven Is a Traffic Jam on the 405
Heroin(e)
Knife Skills
Traffic Stop

Will Win: Heroin(e)
Could Win: Heaven Is a Traffic Jam on the 405


Best Live Action Short Film

DeKalb Elementary
The Eleven O’Clock
My Nephew Emmett
The Silent Child
Watu Wote/All of Us

Will Win: DeKalb Elementary
Could Win: The Silent Child



The 90th annual Academy Awards will be broadcasted live on ABC Sunday, March 4 at 7:00 P.M. central time.

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